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A multi-ethnic metropolis Representations of Marseille in Representing ethnicity in contemporary French visual culture. More Sign In via Institution. The ‘internment of aliens’ is a peculiar and rather hysterical measure taken by the British government after Dunkirk. Terms and Conditions Privacy notice Contact Us. If you are authenticated and think you should have access to this title, please contact your librarian. From Claude Levy’s own narrative in the film, The Jewish Cemetery – the Last Jews of Wasgau , and from an article about him in another German newspaper, Die Rheinpfalz , she learned a few new things about the family. In this chapter, the author, through a family history, speaks of how forced exile persists through generations. From starting off as a real Austerity baby, war time model, she soon became lovely and plump.

Get Access to Full Text You are not authenticated to view the full text of this chapter or article. Lawnhurst is one of several mansions in Didsbury, built as family homes by wealthy industrialists and businessmen in the second half of the nineteenth century. He talks about spinsters in the novels of Muriel Spark. In this chapter, the author, through a family history, speaks of how forced exile persists through generations. He is alien to Britain and to English culture. The Cult of Single Blessedness affirmed the vocational life of unmarried women.

He is alien to Britain and to English culture.

A multi-ethnic metropolis

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The ‘internment of aliens’ is a peculiar and rather hysterical measure taken by the British government after Dunkirk. More Sign In via Institution.

In this chapter, the author focuses on the industrialist and philanthropist, Henry Simon of Manchester, including his relationship with the Norwegian explorer, Fridtjof Nansen. Representing ethnicity in contemporary French visual culture.

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The Cult of Single Blessedness affirmed the vocational life of unmarried women. In this chapter, the author explains the internment of aliens in Britain during the Second World War. He came to Britain from Germany in Februarywas a class C ‘enemy alien’ recognised as a genuine refugee, and officially designated a ‘friendly’ enemy alien.

Nansen had borrowed the plans from Henry Simon, after staying there as Henry’s guest in In this chapter, the author, through a family history, speaks of how forced exile persists through generations.

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He talks about spinsters in the quigte of Muriel Spark. The author also talks about the anxious childhood of the British journalist Anne Karpf, daughter of Holocaust survivors, in London. From Claude Levy’s own narrative in the film, The Jewish Cemetery – the Last Jews of Wasgauand from an article about him in another German newspaper, Die Rheinpfalzshe learned a few new things about the family.

The author traces the ways in which single women have been regarded in Western culture, specifically in Britain and America, over the past two centuries. The classifications were made by wartime tribunals set up in Britain in From starting off as a real Austerity baby, war time model, she soon became lovely and plump. The film focuses on small German towns and gives an account of what happened to the Jews there after the Nazi accession to power in January A peculiar aspect of the changing discourse of the spinster is the collusion of feminism with her demonisation in the early twentieth century.

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She started keeping a baby diary on 5 Julyjust over three months after the author was born. A multi-ethnic metropolis Representations of Marseille in Representing ethnicity in contemporary French visual culture. Terms and Conditions Privacy notice Contact Us.

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The author describes his father as an alien. Access Tokens If you have an access token for this content, you can redeem this via the link below: In this chapter, the author focuses rt the reflections on the lives and images of spinsters.

It argues that Marseille has increasingly been deployed quittw a means by which to showcase ethnic diversity in contemporary France and French visual culture. Art, Architecture and Visual Culture Keywords: Get Access to Full Text You are not authenticated to view the full text of this chapter or article.

The house was built in for the Norwegian explorer Fridtjof Nansen, who then lived there until his death in Lawnhurst is one of several mansions in Didsbury, built as family homes by wealthy industrialists and businessmen in the second half of the nineteenth century. Don’t have an account? It was inspired by Lawnhurst: In this chapter, the author talks about her mother.

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